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AN ANCIENT AIRPLANE
By R. Cedric Leonard
The ancient vimanas described in the Vedic and Puranic literature of India are so fabulous in their capabilities and construction, one might, with good reason, wonder if such things were actualities. However, we must keep in mind that for the most part they were the products of a civilization and technology foreign to this planet. However, good evidence does exist indicating that more modest versions were built in ancient times by the aeronautical engineers of India and a few other places.
A manuscript, composed in Sanskrit by King Bhoja in the 11th Century A.D., deals with techniques of warfare, and in particular with certain types of war machines. The work is called Samarangana Sutradhara, or "Battlefield Commander"(sometimes abbreviated "the Samar"), and the whole of chapter XXXI is devoted to the construction and operation of several kinds of aircraft having various methods of propulsion.
King Bhoja, who used the Sanskrit term yantra more often than the more familiar vimana, claims his knowledge was based on Hindu manuscripts which were ancient even in his time. Some of the techniques of manufacture described therein have been in use by British and American aircraft companies since World War I, and have been found to be sound aeronautical principles even though described nearly a thousand years earlier in this old Sanskrit work. The word vimana is used only once in these passages, in spite of numerous appearances in some translations. In looking over the complete text, it is perfectly clear that several types of aerial machines are being described.
SAMARANGANA SUTRADHARA
Translated into English from the Sanskrit
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Strong and durable must the machine's body be made of light material, having wings joined smoothly with invisible seams. It can carry passengers, it can be made small and compact, it can move in silence. If sound is to be used successfully, there must be great flexibility in the driving mechanism, and all must be put together faultlessly. In order for it to accomplish its intended purpose, it must last a long time, it must be well covered in . . . it must not become too hot, too stiff, nor too soft, and its sharp-pointed battering ram must also be long lasting. Indeed, the machine's main qualities, which are remembered by one and all, include unending motion, which is to say perpetual motion. Smoothness is one of the machines supreme qualities, thus, the workings of the machines is versatile, complete, not given to expansion, not complaining, and always suitable. . .
At this point the text becomes most interesting . . . but also the most difficult. It is evident that essential elements in the propulsion system are deliberately vague--or completely left out. The reason for this is explained later in the text. I can see why this has never appeared in any of the English translations. (The hiatus indicated by ". . ." involves about five Sanskrit words, and "expanding" is one of them, and "wished for" is another. I wish I could offer a more complete translation.)
At the critical time the beam of fire must be released, which will make the action possible. The time-beam expands, accompanied by sound . . . the expansion performs work like an elephant in an endless cycle.
Further along in the text is a paragraph which mentions using wood as a potential building material in the construction of a yantra; then jumps into a description of a propulsion system which may use a fuel similar to gasoline.
The manufacturing of a conquering yantra is greatly desired . . . using light-weight wood to build a great air-going machine of a strong-bodied type. In the central container is the liquid consumed by the engine, which gradually burns away during complete combustion.
Fully renown is the conquering of the following motions: Vertical ascent; Vertical descent; Forwards; Backwards; Normal ascent; Normal descent; Slanting; Progressing over long distances, through proper adjustment of the working parts . . . And its musical sound and throbbing thunder can easily drown out the trumpeting of the elephant in panic. It can be moved by musical tones.
Shining in every direction, their machine (yantra) could travel wherever the imagination dictated. From their great height they saw stimulating dances, drama plays, and pristine dance ceremonies. The machine gained renown among Royal dynasties and various nations. In such a manner the High-Souled ones flew, while the lower classes walked. All those friends succeeded in their much-deserved acquisition of a yantra, by means of which human beings can fly in the air, and non-earthling, Celestial Beings, can come down to mortals in their visits to Earth.
Some of the aircraft seemed to be winged like a modern aeroplane, but such a craft could not go backwards, nor could it ascend or descend vertically. No doubt, the term "dual-winged" appears in the following text in conjunction with some sort of air, or jet, propulsion.
. . .Thus inside one must place the Mercury-engine; and properly mounted beneath it, the iron heating apparatus. Men thusly set the dual-winged, driving whirlwind in motion. The concealed pilot, by means of the mercury-power, may travel a great distance in the sky.
What follows is the description of a much larger, more complex vimana (Note: this is the only place the word "vimana" is actually used in the text), which is powered by four mercury-engines.
An extremely swift and nimble vimana can be built, as large as the temple of the God-in-motion. Into the interior structure four strong mercury containers must be installed. When these have been heated by a controlled fire from iron containers, the flying machine develops thunder-power through the mercury, becoming a machine much to be desired. Moreover, if this iron engine with properly welded joints be filled with fluid (mercury?), when ascending or descending over land it develops power with the roar of a lion.
The machine's construction and operating details are not publicly disclosed. For if their motivative power became known expressly to others--giving out results described elsewhere--elements of these machines would be wrongly used.
My apologies to Sanskrit experts for any deficiencies in the rendering of Bhoja's text. The script is difficult, and some words are used which are now defunct. I have been as faithful to the original text as my ability allows. When I learn of errors, I will be prompt in inserting the necessary corrections. There are fairly long passages (represented by . . .) with which we are still struggling. (R.C.L.)
Drawing of small, delta-winged, Solar-Mercury powered
"vimana" reportedly based on a medieval original
Ancient Blueprint of Airship
From J. S. Churchward's "The Children of Mu"
Ives Washburn, New York, 1931
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These are the most detailed accounts I have found about the airships of the Hindus 15,000 to 20,000 years ago, except one which is a drawing and instructions for the construction of the airship and her machinery, power, engine, etc. The power is taken from the atmosphere in a very simple inexpensive manner. The engine is somewhat like our present-day turbine in that it works from one chamber into another until finally exhausted. When the engine is once started it never stops until turned off. It will continue on if allowed to do so until the bearings are worn out. These ships could keep circling around the earth without ever coming down until the machinery wore out. The power is unlimited, or rather limited only by what metals will stand. I find various flights spoken of which according to our maps would run from 1000 to 3000 miles. (NOTE: Italics are Churchward's)
COMMENT
Col. J. S. Churchward was assigned to India in 1868, where he spent twelve years assisting in famine relief. He became good friends with a Rishi in a Temple School Monastery where he was able to familiarize himself with the history, religion and customs of ancient India. He was enthusiastic and undoubtedly sincere in his efforts, but was often lead astray by con men and charlatans in the field of archeology. However, since the above description is in conformity to what numerous other people have found in India, he is most likely describing something he actually saw. I have no reason to doubt the authenticity of this report.
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Copyright © by R. Cedric Leonard, Apr 2002.
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